Shopping for furniture has never been easy than in the twenty-first century. There are numerous furniture stores which present furniture with numerous designs and individuality. After coming to a furniture store we should always be confident of what we are going to buy and what we thoroughly require. We should not be taken by the words of the salespersons. If we don’t get the accurate choice it will be intelligent to go away and search for another store.

And still if you are not able to obtain your right furniture then you can go online. Online furniture stores have made buying furniture pretty easier and cheap. You can opt for several designs of furniture for your home while sitting at house and without wasting your precious time. Also online furniture stores also present immediate home delivery which is a distinguished help for furniture purchasers.

green furniture

Here are some ways you can buy green furniture:

Look for FSC Certified Wood
The easiest thing to do is to look for FSC certified wood, which is now widely available. FSC certified wood is sustainable wood that has been harvested responsibly. It means that forests are being maintained and precious ecosystems are not destroyed.

Buy Bamboo Products
Bamboo is a fast-growing grass and is widely used by green conscious manufacturers and designers. It is versatile and you can find it in many products from flooring material to furniture. Being so quick to grow back, it can be a never ending resource. Sometimes there is a concern about pesticide use, so if you are intent on buying green, make sure to ask.

Buy Reclaimed Wood Furniture
Reclaimed wood is usually reclaimed from old furniture and buildings, and bridges, basically anything that used wood in its construction. It comes from other sources, too, such as discarded factory scraps, or logs that are reclaimed from rivers. Barnwood furniture is extremely sought after, and rightly so as aged wood has its own richness and patina.

Buy Furniture Made from Recycled Material
Furniture made from recycled metal and plastic is another option. Basically, anything that can be reused in any form can be said to be eco friendly. While this might seem to be too sweeping a statement, consider this: recycling means you are using fewer resources, and not condemning something to the landfills. With constantly improving technology you can be assured of quality as well.

Buy Furniture With Non-Toxic or Low-Toxic Finishes
Buying furniture that is low-toxic or non-toxic, you cut down on toxic off-gassing. Toxic off-gassing can be even more of a hazard in a well insulated home, where toxins cannot escape easily. Look for Greenguard certification as a guideline. Many manufacturers are now making Greenguard certified furniture.

Buy Locally Made Furniture
Buying locally made furniture is amongst the greenest choices you can make. It cuts down on the energy required to ship it from one place to another. The nearer home it was made, the less it had to travel. Added advantage? You support the local economy by supporting local craftspeople and small businesses.

Buy Durable Furniture
When you buy good quality well made furniture, you are buying green furniture. It will not have to be replaced for a long time. Even if you get tired of it, you can easily give it away or re-sell, and somebody else can use it.

Buy Recyclable Furniture
Green furniture lends itself to easy recycling or disassembly. If a piece of furniture can be easily disassembled at the end of its life, the pieces can be recycled easily. Look for C2C certification such as found on Herman Miller office chairs.

Buy Used or Vintage Furniture
Buying vintage could be the easiest way of buying green. Maybe the furniture wasn’t originally made from FSC certified wood, or has no Greenguard certification, but it has certainly been around long enough to finish off-gassing. It is not using any more resources to manufacture, and you are saving it from a potential fate in a landfill. Additionally, high quality vintage is always sought after, so it could potentially sell for close to or the same price you bought it.

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Create the Consumer Experience

The reason copy must appeal to the five senses is simple. Consumers can hear or see what the product being advertised can do for them, but they can’t experience it first-hand. The copywriter’s job is to create the user experience for consumers by stimulating their five senses. In other words, effective copy allows consumers subconsciously to smell the product, touch it, taste it, see it and hear it as if they were actually using it at that moment.

Take a look at the following examples to better understand how copywriting that appeals to the five senses can create a sensory user experience.

Example 1: A Taste of Italy Restaurant creates delicious meals.

vs.

Example 2: At A Taste of Italy Restaurant, you’ll indulge in mouth-watering entrees and decadent desserts.

The examples above demonstrate how using fairly common descriptive words can make a big difference in terms of tapping into consumers’ sense of taste. While “delicious meals” certainly sounds nice, “mouth-watering entrees and decadent desserts” sounds too good to refuse. The copy could go on to describe the smells, sights and sounds at A Taste of Italy Restaurant to create a full sensory experience.

Let’s look at another example.

Example 1: You’ll get beautiful flowers at Blooms and More Florist.

vs.

Example 2: Fill your home with the fresh aroma and vibrant colors of a floral arrangement from Blooms and More Florist.

Again, by adding descriptive words that stimulate the senses of smell and sight, the copy in the second example creates a sensory experience and becomes more interesting, memorable and effective than the copy in the first example.
Bottom Line

Your copy needs to fill the gaps that the advertising medium can’t reach. However, every ad or marketing piece doesn’t need to appeal to all five senses. Consider the target audience, the medium and the goals for each specific ad, then select the senses that will drive the strongest results, and focus on those areas in your copy. Reduce the copy clutter by delivering only the best messages that create the most compelling sensory experiences for the target audience.

In the course of development of China’s furniture industry as an integral part of the industry, distributors and consumers in the manufacturer between the role act as a bridge between, and promote the formation of China’s furniture brands and development. However, the industry as a whole, the dealer is still in a weak position, in order to highlight the contribution of dealers to promote the sustained and healthy development of the industry, were launched by Furniture Fair Organizing Committee to host special “Chinese furniture maker of the gold medal standings,” poll.

“The Chinese furniture maker of the gold medal standings,” furniture dealers nationwide will be selected the best agent, Best Development Award, Best Marketing Award, the Best Service Award for four awards. The entire selection process will continue to uphold Furniture Awards were fair, just tradition.

The first stage of selection, the organizing committee will jointly promote the work of professional media, creating momentum for the selection of activities and promote the adjudication process to develop in depth. Next, in order to ensure the successful completion of selected activities, the organizing committee of the most widely Furniture Joint furniture industry media, as well as throughout the country an important furniture manufacturers and distribution companies recommended by the common “Chinese furniture maker of” list of candidates, all over the selected dealers may also put themselves forward at the same time assigned to staff around the shopping malls, dealers to gather information. On the other hand, the organizing committee will open up the media in co-operation “shining star” program publicity.

June 30, the Organizing Committee will list all candidates for the primaries, selected a list of publicity in the media; after July 1, carry out online public poll, continued to August 15, and the organizing committee will be selected employ authoritative judging panel chosen by a combination of the results, decide the final “of Chinese furniture to the gold medal standings.” September 22nd of Furniture during a grand ceremony will be held, and the production of specialized book, a comprehensive record the activities of the event selection.

Recently, the organizing committee of Furniture will be sending staff members, multi-channel went furniture shopping malls around the country important for the “Chinese furniture maker of the gold medal standings,” the candidate to collect a list of selected activities curtain opened.

Huang Feihong

Wong Fei-hung, also known as Huang Fei-hong is one of the most revered folk heroes in Southern Chinese culture. This figure has been immortalized in serialized novels and in over 100 feature films. While little is known about the personal life of Fei-hung, this celebrated kung fu expert, healer, philosopher, and champion of justice has left an indelible mark on Hong Kong cinema and the martial arts world.

History

Fei-hung’s father, Wong Kai-ying was known as one of the “Ten Tigers of Canton.” According to Bey Logan in his book, Hong Kong Action Cinema, these men were a band of heroes who lived by a code of honor. Kai-ying studied Hung Kuen or Hung Gar kung fu from master Luk Ah-choy. Hung Kuen, which included training in Chinese medicine and internal martial arts is often considered the most direct descendant of traditional Shaolin kung fu.

In Chinese kung fu, one’s martial arts lineage is of nearly equal importance to one’s family lineage. The handing down of kung fu techniques from sifu (teacher) to student is of grave importance as many of the forms and techniques widely used today can often be traced back to a single figure. Such is the case for the “Southern Fist” technique which would become the basis for Fei-hung’s Hung Kuen style.

Avid kung fu film fans have likely seen at least one movie dealing with the destruction of Shaolin Temple. While the actual facts of this event remain shrouded in legend, it is known that the reigning Qing (Ching) Dynasty began to look at the monks of Shaolin as a threat to their sovereignty. Through years of rigorous and highly disciplined training, these monks had become skilled in unarmed and armed combat. They were even recruited by the government to fight the Japanese in Taiwan. In addition, they had for years trained emperors and generals in their fighting arts. But in the mid-1700s, the Qing government sacked the Shaolin Temple and the surviving monks and lay students scattered throughout Southern China. One such lay student of notable skill was Hung Hei-kwun who settled near the city of Guangzhou (Canton) and began teaching martial arts. His most successful student was Luk Ah-choy. Ah-choy, himself a monk handed down his skills to Wong Tai. Wong Tai handed down his knowledge to his son, Wong Kai-ying. Kai -yng, of course was Fei-hung’s father and in due time passed on what had become the family martial arts to his son, although who actually taught Fei-hung is disputed.

Fei-hung was born in the village of Xiqiao within the Canton province in 1847. According to one account, his father would not teach his son martial arts for his concern that it might endanger his life. Still desiring to learn, Fei Hung took lessons from his father’s master, Ah Choy. The young Fei Hung was known to perform kung fu in the streets for money. As a young adult, he took the responsibility of becoming a martial arts instructor to the 5th Regiment of the Cantonese army as well as the Guangzhou Civilian Militia. He became quite involved with the local government after having trained two generals and becoming the assistant to the governor of the Fujian province.

Much of the political turmoil surrounding Fei Hung as fictionally depicted in Once Upon a Time in China centered around a popular uprising where the people of Fujian demanded that the governor, Tang Jinsong be appointed head of a new democratic state while Fei Hung would become the commander-in-chief. This riot was suppressed by thousands of government troops led by Li Hongzhang. Needless to say, it put an end to Fei Hung’s political career as he and Tang fled to Canton. There, Fei Hung opened a drug store named “Bo Chi Lam” and kept a low profile.

At this time, little else is known about his life. He was married several times and endured several deaths within his own family due to illness. His last wife, Mok Kwei Lan was only a teenager when she married the elderly Fei Hung. He lived to the age of 77 where he died in 1924.

As a martial artist, Fei Hung was famed for his skill in Hung Kuen. He had mastered the Iron Wire Fist, Five Forms Fist, Vanquishing Fist, and the Shadowless Kick. Not stopping there, Fei Hung also excelled at the traditional Southern Chinese art of Lion Dancing. Within Canton he was known as the “King of the Lions.”

The Legend Begins

After Fei Hung’s death a series of novels appeared in several newspapers authored by Woshi Shanren. The topic of these fictional accounts propelled the story of Wong Fei Hung to mythic proportions with heroic tales embellished with the author’s imagination. It wasn’t long before these popular stories were tapped by Peking Opera alumni for a ambitious series of feature length films. The series ran from 1949 to 1970 and included 99 films in all starring the prolific actor, Kwan Tak Hing. These series of films were the first to feature “real” kung fu according to Tak Hing, unlike many wuxia inspired films featuring superhuman feats.

The influence of these Fei Hung films on the kung fu movies of the 1970’s and beyond cannot be understated. Many of the celebrities in the original series were parents or mentors of future kung fu legends such as Bruce Lee, Yuen Wo Ping, and Lar Kar Leung. Many would pass the torch by appearing in some of the early classics with the next generation of stars. Kwan Tak Hing reprised his role as Fei Hung in Dreadnought, starring Yuen Biao and directed by Yuen Wo Ping.

One of Jackie Chan’s breakout roles appeared in Drunken Master (1978), playing Fei Hung from a new perspective. Unlike previous portrayals of Fei Hung, Jackie and director Yuen Wo Ping realized that rather than focusing on the noble deeds of Fei Hung’s later life, it would be more interesting to see how he might have developed into the legend. Having created a unique formula in his previous project, Snake in the Eagle’s Shadow, Jackie brought his physical slapstick humor to the film. Creating a story of a mischievous adolescent Fei Hung who must overcome his own faults proved a huge success and made Jackie in his own words, a star.

Several subsequent films featured Fei Hung’s character in the early eighties. Yet not until a decade later did an energetic new wave filmmaker with tremendous ambition seek to commit the quintessential story of Wong Fei Hung to the screen that would make the his legend spread internationally and in the process, kindle a renaissance of period martial arts films.

Once Upon a Time in Hong Kong

Tsui Hark has enjoyed a rare level of commercial and artistic success in Hong Kong as a director, producer and occasional actor. He first established himself as what is termed a “new wave” director with his directorial debut, The Butterfly Murders (1979). Taking his experience in studying American film, his limitless imagination, and his tireless devotion to the craft, Hark began a career of redefining genres within the Hong Kong film industry. Zu: Warriors From the Magic Mountain (1983) brought Hollywood special effects to Hong Kong and A Better Tomorrow (1986) created the heroic gunplay craze. With success in just about every other film genre it was only a matter of time before Hark turned to kung fu.

After the success of The Swordsman (1990) which brought wuxia tales into the ’90’s Hark began work on an epic reworking of the Wong Fei Hung legend. This time, Fei Hung would be portrayed not as an aging Tak Hing who uses martial arts only as a last resort or a comically naive Jackie Chan but as a composed and intense man in his prime. Jet Li, a mainland Chinese actor was chosen over local talent to become the latest incarnation of Fei Hung. Li, with his boyish looks and bristling martial arts abilities was a wushu champion from Beijing who had starred in several mainland produced kung fu films promoting the Shaolin Temple. Once Upon a Time in China premiered in 1991 and was a huge success. In fact, Jet Li went on to play Fei Hung in three sequels. Vincent Zhao played Fei Hung in the fourth installment.

The commercial success of the film franchise guaranteed that kung fu films would rule the box office for at least the first half of the decade as numerous period martial arts films appeared shortly after. Director and choreographer, Yuen Woo Ping who had created the comic Fei Hung with Jackie in “Drunken Master” returned to the legend in 1993 with Iron Monkey. Woo Ping went even further back to create a fictional account of the adolescent Fei Hung. The young Fei Hung was portrayed by Tsang Sze-man, a talented young girl who gives a convincing performance. Visually, the film is a departure from the authentic martial arts seen in the original film series. Woo Ping’s trademark wirework was on full display and creates a fun if unrealistic representation of Fei Hung’s childhood.

One of the most recent noteworthy films to feature Fei Hung was conceived by Jackie Chan as an answer to the unrealistic kung fu seen in the films of Tsui Hark and Wo Ping in the early ’90’s. Drunken Master II (1994) reprised Jackie’s breakthrough role in 1978 as a bungling drunkard who must rise above his faults to defeat the villain. While considered past his physical prime, Jackie gave arguably his best performance in this film which featured more authentic kung fu without the use of wirework to give the martial arts a superhuman quality. Like Jackie’s previous film, Drunken Master II uses Fei Hung’s name but makes little effort to accurately recreate the man or what is known of his life.

Will the Real Wong Fei Hung Please Stand Up?

Wong Fei Hung is remembered as a Chinese patriot, a healer, a philosopher, and a martial artist who stood for the rights of the oppressed within a country long plagued with corrupt leadership. Yet the more we see Fei Hung portrayed in film, the less we really know of the man. While still hugely popular in China, little serious effort has been made in film or fiction to chronicle an accurate version of Fei Hung’s life, particularly in the West. Played as a budding martial artist, an immature young adult, an austere patriot, or as a wizened elder, the real Fei Hung continues to elude us. Perhaps this is not so important. Like all heroes of myth and history, the legend of Wong Fei Hung will no doubt continue to inspire and entertain people around the world for years to come.